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内地的电视歌唱类竞赛节目起源于1984年成功举办的第一届《CCTV青年歌手电视大奖赛》,至今已走过30个年头。进入新世纪以来,《超级女声》等大批歌唱类竞赛节目涌入观众视野,掀起这类节目的热潮。然而经过一波波洗礼,许多同类节目由于模式相似、缺乏创新、制作不够精良等原因导致观众出现审美疲劳,观看的热情锐减……直至2012年《中国好声音》的出现,再度带动起一阵狂潮。本文通过对美国版《The Voice》以及引进的中国版《中国好声音》的研究,探索《The Voice》系列节目模式的
The Mainland’s television singing competition has its origins in the first “CCTV Young Singers Television Grand Prix” successfully held in 1984 and has now passed 30 years. Since the beginning of the new century, a large number of singing competition programs such as “Super Girl Voice” have been pouring into the audience’s field of vision, setting off a wave of such programs. However, after many waves of baptism, many similar programs have experienced aesthetic fatigue and diminished enthusiasm due to similar models, lack of innovation, and poorly-crafted productions. Until 2012, the emergence of “China’s good voice” has once again brought a Frenzy. This article explores the “The Voice” series of programs through the study of the American version of “The Voice” and the introduction of the Chinese version of “China’s Good Voice.”