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中国画源远流长,按照绘画题材来分,可分为:人物画、山水画、花鸟画三科,其中人物画、山水画比较容易划分。在《中国古代画论类编》中记载,除了人物画、山水画两科,剩余其他画种皆归花鸟画一科,其中包括花卉、禽鸟、鳞介、走兽、车马等,可见花鸟画科素材之广、内容之众。纵观整个中国画发展历史,“没骨”画无疑是其中的一朵奇葩。“没骨”画是介于工笔和写意之间的一种绘画表现形式,在“没骨”画的基础上,笔头“放大”可以发展成小写意、写意形式,笔头“收紧”可以发展为兼工带写、工笔形式,对提高同学们的造型能力、笔墨掌控能力有较好的帮助,比较适合有一定国画基础的同学学习。
Chinese painting has a long history, according to the subject of painting to be divided into: figure painting, landscape painting, flowers and birds painting three subjects, of which figure painting, landscape painting is relatively easy to divide. In “Ancient Chinese Paintings” series records, in addition to portrait painting, landscape painting two subjects, the rest of the other species are birds and flowers painting a subject, including flowers, birds, scales, animals, horses and other visible flowers and birds painting Section wide material, content of the public. Throughout the history of the development of Chinese painting, “no bone ” painting is undoubtedly one of the wonderful work. “No bone ” painting is a kind of painting expression between the fine brushwork and the freehand brushwork. On the basis of “no bone ” painting, the pen “zoom in ” can develop into the lowercase and the freehand form, “Tightening ” can be developed as a part-time belt writing and writing style, which is of great help to improve students’ ability of shaping and writing and controlling, and is more suitable for classmates who have a certain foundation of traditional Chinese painting.