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20世纪中叶中国动画电影就已经融入了诸多具有本土色彩和审美价值的传统元素,逐渐发展为独特的“中国学派”动画,凭借其饱满的诗韵和淡雅的艺术风格给观众留下了深刻的印象。但在不断发展和创新的艺术殿堂中,中国水墨画受到了种种的限制。本文通过对“中国学派”动画及其艺术风格进行分析,指出只有突出传统文化内涵和发扬中国元素,才能推动中国动画电影在现代语境中得以发展。
In the middle of the 20th century, Chinese animated films have been integrated into many traditional elements of local color and aesthetic value and gradually developed into unique “Chinese Schools” animations that have left a deep impression on the audience with their rich poetic rhyme and elegant artistic style impression. However, in the constant development and innovation of the art hall, Chinese ink painting has been a variety of restrictions. By analyzing the “Chinese School” animation and its artistic style, this article points out that only by highlighting the traditional cultural connotation and carrying forward the Chinese elements can China ’s animation film develop in the modern context.