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本文将研究视角聚焦于从1904年日侨最初登陆起,至1932年傀儡满洲国成立前止的历史时期,以位于东三省南部旅大地区(即所谓“南满地区”)为主要活动范围的早期日侨音乐家群体及其西洋音乐活动。笔者试图从后殖民主义文化研究的立场出发,通过一种更为理性的辨证论述方法,以大连和沈阳等日侨音乐活动中心城市与主要人物及核心机构相结合的‘点—线—面’研究模式展开论述,希望以此客观还原或勾画早期东北地区日侨音乐家活动及其影响。
This article focuses on the research from the initial landing of the Japanese in 1904 until the establishment of the puppet Manchukuo in 1932 in the historical period. The main activity was in the Luda area (the so-called “Nanman area”) in the southern part of the northeast of the province. Range of Early Japanese Musicians and Their Western Music Activities. The author attempts to start from the postcolonial culture research standpoint, through a more rational dialectical discussion method, with Dalian and Shenyang and other Japanese music center city and the main characters and the core combination of institutions ’point - line - surface’ Research mode, and hope to objectively restore or delineate the activities and influence of Japanese musicians in early Northeast China.