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川剧之所以能够延续三百多年且仍然被闲适自在地活态传承,除了与其他门类艺术形态传承有一致的根性和规律以外,数代川剧人不断的改革创新锐意进取和自觉自为,以及党和政府的大力倡导扶持是关键。新中国建立以来,通过50年代的戏曲改革工作,川剧进入了繁荣时期,取得了巨大的成就,赢得了国内外观众的普遍赞誉。川剧在选择符合时代需要的题材和表现内容方面,引入话剧的表导演艺术、舞台布景装置方面,学习借鉴西方科学发声方面都有许多成功的出色例证。改革开放和振兴川剧以来,川剧立足传统表现形式,舞台呈现步入了现代艺术行业,在出人出戏赢得观众方面成就显著,川剧具有了强大的活力和生命力。即以川剧创作而言,以魏明伦、徐棻、谭愫为代表的
The reason that Sichuan Opera was able to continue for more than three hundred years is still vividly inherited. Apart from its consistent roots and laws with the other types of artistic forms, the Sichuan Opera has been constantly reforming and innovating with determination and self-improvement. The vigorous advocacy and support of the party and government is the key. Since the founding of New China, through the drama reform in the 1950s, Sichuan Opera has entered a period of prosperity with tremendous achievements and won universal acclaim from domestic and foreign audiences. Sichuan Opera has a lot of successful examples in selecting topics and performance content that are in keeping with the needs of the times. It also introduces table top directorial arts and theatrical installation of drama in learning from Western scientific voices. Since the reform and opening up and the rejuvenation of Sichuan Opera, Sichuan Opera has become a traditional form of performance. Its stage has entered into the modern art industry. Sichuan Opera has achieved remarkable success in getting people out of the opera and winning spectators. Sichuan Opera has a strong vitality and vitality. That is to say Sichuan opera creation, represented by Wei Minglun, Xu 棻, Tan 愫