浅析以明清竹刻为载体的中国画的民间传承

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竹刻艺术是成熟于明代中后期的中国工艺美术的一个组成门类。明清时期的竹刻艺术以其独特的″以画法刻竹″的魅力,无论是在器型品种,装饰构图、色彩实现等方面,还是在工艺技法,文化传承方面,都是中国传统文化中不可多得的瑰宝。本文从明清竹刻纹饰与中国画之间的关系入手,运用比较学的方法,以明清时期的竹刻艺术作为研究对象,对明清竹刻纹饰与中国画在文化内涵及文化传承等方面进行比较研究,说明了竹刻艺术与中国画艺术在中华文化中的传播方式与历史地位,指出中华文化的基本精神所在。 Bamboo carving art is a component of Chinese arts and crafts that is mature in the middle and late Ming Dynasty. Ming and Qing Dynasties bamboo carving art with its unique “engraving bamboo” charm, both in the type of device, decorative composition, color and so on, or in technology, cultural heritage, are all Chinese traditional culture A rare treasure. This article starts with the relationship between the bamboo carvings and the Chinese paintings in the Ming and Qing dynasties. By means of comparative study, taking the bamboo carving art in the Ming and Qing Dynasties as the research object, this paper compares the bamboo carvings in the Ming and Qing Dynasties with the cultural connotation and cultural heritage of the Chinese painting, Explain the way and historic position of bamboo carving art and Chinese painting art in Chinese culture and point out the basic spirit of Chinese culture.
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