隐几为我国中古前期家居用器,自汉代出现以来,其形象广泛见于石刻画像、墓室壁画、石窟壁画以及卷轴绘画中,形制与用法几经变迁,在微观史学的学术视野中,具有独特的实物证据的图像意义与历史价值。鉴于此,是以20世纪以来考古发现之中古隐几遗存为基础,参酌墓室壁画、石窟壁画、卷轴绘画所见隐几形象,同时结合文献记载,追溯其于中古时代的演变情况,并以顾恺之维摩画像学术个案为例,就其在微观史学中的图像学意义作出阐发。 In recent years, since the Han dynasty appeared, its image is widely seen in the stone portrait, tomb murals, cave murals and scroll painting, the shape and usage of several changes, in the microscopic academic academic field of vision, has a unique physical Image Meaning and Historical Value of Evidence. In view of this, based on the ancient relics found in the archaeological discoveries since the 20th century, the authors make reference to the images of tomb murals, grotto murals and scrolls, and at the same time trace the evolution of their creations in medieval times with Gu Kaizhi The case study of Vimas portraits, for example, makes an analysis of its significance in the micro-historiography.