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古乐奏新韵,是当今一大音乐潮流。作为我国已经绝响多年的古乐器——编钟,自从沉睡地下两千多年的曾侯乙墓出土之后,就成为我国音乐人关注的热点。经过艰辛努力,当今乐界已掌握了编钟的奏法并创编、演奏了一系列编钟音乐作品,谭盾的《交响曲1997:天·地·人》堪称其中翘楚。本文从谭盾的交响曲《天地人》的分析入手,对编钟音乐的现代音乐审美进行探讨和思考。
Old music played a new rhyme, is a major music trend today. As the ancient Chinese instrument that has been extinct for many years, the chime bells have become the focus of attention of musicians in our country since the unearthed Zengli Tomb of two thousand years ago. After arduous efforts, today’s music industry has mastered the bells and created a series of chime music, Tan Dun’s “Symphony 1997: Heaven and Earth” is one of the leaders. This article begins with the analysis of Tan Dun’s symphony “Heaven and Earth”, and discusses and thinks about the modern music aesthetics of chime music.