本文试图在情、礼关系的框架中,考察早期儒家《诗》学围绕好色之情与礼的关系所展开的讨论。孔子围绕《硕人》之诗强调了礼仪形式的根底、素质的重要性。后人又借由孔子有关《关雎》的论述,将好色之情作为礼质,承认其合理性并要求有所节制。楚简《诗论》、帛书《五行》则以不同的方式进一步为礼仪的节制寻找内心的依据。儒家《诗》学的讨论将一种本能的情感因素纳入到了礼的范畴中,并为礼的建构提供了一种内在的根基与依据。 This essay attempts to examine the discussion of the relationship between the erotic love and the ceremony in the early Confucian “poetry” studies in the framework of relationship between love and affection. Confucius emphasized the importance of the etiquette form and the quality around the poem “Master.” Later generations borrowed from Confucius’ account of “Guan Yu”, using the erotic feelings as a gift, acknowledging its rationality and requiring some restraint. Chu Bamboo “poem”, silk “Five Elements” are different ways to further control the etiquette to find the inner basis. The discussion of Confucian “poetry” studies incorporates an instinctive affective element into the sphere of ceremony and provides an intrinsic basis and foundation for the construction of ceremony.