一个时代有一个时代之文学。正如福柯所说,重要的不是话语讲述的年代,而是讲述话语的年代。十年“文革”浩劫的结束预示着中国新时期的开始,中国社会发生重要的历史转型,从以阶级斗争为纲转为以经济建设为中心。文学发展与历史转型紧密相连。“文革”践踏人性、人情和人道主义,抽离了人生存的生理与心理需求。而作为主潮的新启蒙主义则唤醒了一大批作家对于“何谓生存”的重新思考与认识,即“人要有点东西,才叫活着”。而“这点东西”可以说是支撑自我存活于世的自我确证与自我实现,是作家 An era of a literature of the times. As Foucault puts it, what counts is not the age of discourse, but the age of discourse. The end of the “10-year” “Cultural Revolution” catastrophe indicates the beginning of the new era in China. An important historical transformation has taken place in Chinese society, with the class struggle as the pivot and the economic construction as the center. The development of literature is closely linked with the historical transformation. “Cultural Revolution ” trampling on human nature, humanity and humanitarianism, from the physiological and psychological needs of people living. The neo-Enlightenment, as a tide, aroused a great deal of writers’ rethinking and understanding of “what is survival”, that is, “people want something to be alive”. And “This thing ” can be said to support self-survival of self-confirmation and self-realization, is a writer