鼓吹乐是盛行于汉代并对中国音乐发展产生重大影响的乐种之一。纵观对汉代鼓吹乐渊源的记载,则各述不一。目前学界有两种看法,其一鼓吹乐的产生是秦汉之际各族音乐文化交流的结果,北方游牧民族音乐是汉代鼓吹乐的唯一渊源;其二形成于汉代的鼓吹乐虽与外民族音乐有直接联系,其基础却源于中原传统器乐的发展。本文试图从近15年来有关汉代鼓吹乐渊源研究的文献进行梳理,研究其论述角度,并做出自己开放性评介。 Promoting music is one of the most popular musicals that prevailed in the Han Dynasty and had a significant impact on the development of Chinese music. Throughout the Han Dynasty advocated the source of music records, then different. At present, there are two kinds of views in the academic circles. The production of one drum is the result of the exchange of music and culture among ethnic groups on the occasion of the Qin and Han dynasties. The nomadic music in the north is the only source of music advocacy in the Han Dynasty. There are direct links, but its basis is derived from the development of Central Plains traditional instrumental music. This article attempts to sort out the literature about the advocating of the music origins in the Han Dynasty in the past 15 years, to study its exposition angle and make its own open comment.