根源于作者内心情感的雕塑才有进入观众内心的可能。本文论述了在当代各种艺术主张纷繁呈现的境遇下,为何雕塑以及创作者面对自身的雕塑定位问题。试图从雕塑的本体语言入手结合自身的创作实践进行论题的简述。本文作者对阅读历史的酷爱以及对大自然造化的关注,触发的创作的意念,传达心中情感的冲动也就是创作的先机,立意在先。构形造势是雕塑重要的表达方式,是传情达意的重要实现方法。从社会历史系统中考察雕塑艺术所处的位置,以便清楚其所产生的原因和目的,认识艺术发展规律,为创作实践指明方向。 Sculptures rooted in the author’s inner feelings are likely to enter the audience. This article discusses why sculptures and creators face their own sculptural positioning under the present circumstances of various contemporary artistic ideas. Trying to start from the sculpture of the ontology language with its own creative practice of the topic brief. The author’s passion for reading history, his interest in nature, the creative ideas triggered, the impulse to convey the heart’s emotions are also the first chances of creation, and his intention is prior. Constructive posture is an important expression of sculpture, is an important way to convey the idea of ​​affection. Investigate the position of sculpture art from the social and historical system in order to make it clear why and why it is produced, recognize the law of the development of art, and point out the direction of creative practice.