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巴罗克时代,意大利在音乐史上贡献最大的除歌剧外就数协奏曲了。在意大利的影响下,协奏曲这一形式很快传播到了德国、法国和英国。到十八世纪末这四个国家产生了大量的各种各样的协奏曲。(注)协奏曲中的独奏乐器的种类也是很多的,从短笛到低音提琴都有。本曲选集是一本丰富的值得一读的协奏曲选集。本文就协奏曲有关的问题进行探讨。十九世纪以前的协奏曲大师们计有:阿尔比诺尼(Albinoni,意大利作曲家,1674—1745)、科列里(Corelli,意大利作曲家,1653—1713),维瓦尔第(Vivaldi,意大利作曲家,1678—1741)、吉米尼亚尼(Geminiani,意大利作曲家,1687—1762)、塔尔蒂尼(Tar—tini,意大利作曲家,1692—1770)、鲍凯里尼(Boccherini,意大利作曲家,1743—1805),巴赫和他的儿子们、亨德尔、莫扎特、海顿等等。
Baroque era, Italy contributed the most in the history of music in addition to opera outside the concert concerto. Under the influence of Italy, concerto was quickly spread to Germany, France and Britain. By the end of the eighteenth century, these four countries produced a large variety of concerto. (Note) There are many types of solo instruments in concerto, from piccolo to double bass. The libretto is a rich anthology of concerto worth reading. This article discusses concerto related issues. The nineteenth century concerto master include: Albinoni (Italian composer, 1674-1745), Corelli (Italian composer, 1653-1713), Vivaldi (Vivaldi, Italian composition Geminiani (Italian composer, 1687-1762), Tar-tini (Italian composer, 1692-1770), Boccherini (Italian composer House, 1743-1805), Bach and his sons, Handel, Mozart, Haydn and others.