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有关唐时《阳关》叠法问题,近十几年来,引起各方学者之重视。但由于唐时原谱早已散佚,故至今仍无令人信服之定论。笔者在前人研究成果的基础上,经过辨析,认为:应以苏拭《东坡题跋》中有关唐时《阳关》叠法的记载为准。而苏轼所讲“古本三叠”不仅有“三”叠之实义,亦有“多”叠之义。此曲歌辞经历了由齐言歌辞向杂言（长短句）歌辞转变的过程,和声从中起过渡作用。和声与叠乃两回事,不可混为一谈。
The Tang Dynasty “Yang Guan” overlay law, the past decade, attracted the attention of all scholars. However, there was no convincing conclusion as the original spectrum of the Tang Dynasty was long lost. Based on the research results of the predecessors, the author analyzes that: the record of “Yang Guan” stack method in Tang Dynasty should be based on the records of Su-wen’s “Dongpo title”. Su Shi said “the ancient Triad” not only “three” stack of the real meaning, but also “more” stack of meanings. This piece of song has undergone a process of changing the speech of Qi words to heteronym words (long and short sentences), and the harmony plays a transitional role. Harmony and overlap are two different things, can not be confused.