方力钧自上世纪90年代初发现“我的脸”而成为中国当代艺术的先行者以来,一直试图保持问题感的领先和当代性。他的问题有许多层面,其中有一个演变线索似乎很有趣,它是关于眼界的研究,从“我”到“我们”再到“人们”的眼界的演变,或者说是从个人到集体到人类的视野演变。从这一演变,也许可以理解方力钧最近两年来的画画转型,一种梦一般辽远宏大的画面暗 Since his discovery of “My Face” in the early 1990s in the early 1990s, Fang Lijun has been the forerunner of Chinese contemporary art and has been trying to keep the issue of leadership and contemporary. There are many aspects to his question. One of the clues to evolution seems interesting. It is about the evolution of the field of vision, from the perspective of “I” to “us” and “people”, or From the individual to the collective vision to human evolution. From this evolution, perhaps you can understand Fang Lijun drawing transformation in the last two years, a vast dark dream dream generally dark