电影符号学作为现代电影美学理论的重要部分,所采用的学科互涉的研究方法尤其是语言学,使现代电影理论的研究形成了一个高度开放的结构。但是,由于理论迁徙的不适性,电影符号学研究中的语言学模式存在一定的局限性,因此在开放的电影文本系统中,符号的意义也更加多变。同时,在观众潜意识的作用下,符号所指向的意义则更加主观化。 As an important part of the theory of modern film aesthetics, cinema semiotics uses the interdisciplinary research methods, especially linguistics, to make the study of modern film theory form a highly open structure. However, due to the dislocation of theoretical migration, the linguistic models in the study of cinema semiotics have some limitations. Therefore, the meaning of symbols in the open cinema text system is also more variable. At the same time, under the subconscious of the audience, the meaning of the symbol is more subjective.