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罗怀臻的戏,在业界引起最大震动的,当是淮剧《金龙与蜉蝣》。那是他在上个世纪90年代初的“崛起”之作,此后更有被誉为“最为传神的”地方戏剧作、甬剧《典妻》面世。罗怀臻所涉剧种甚多,如黄梅戏、豫剧、川剧、秦腔等。戏剧评论家廖奔称其最得心应手的剧种,越剧是其一,然后则是昆曲。我是读白先勇的小说《游园惊梦》爱上昆曲的,后来青春版《牡丹亭》红遍大江南北,机缘巧合之下,接触到了罗怀臻老师的剧作。
Luo Huai Zhen’s play, causing the greatest shock in the industry, when Huai opera “Golden Dragon and 蜉 蝣.” It was his “rise” in the early 90s of the last century. Since then he has been hailed as the most vivid local drama, and his “wife” was published. Luo Huaizhen is involved in many dramas, such as the Huangmei opera, opera, Sichuan opera, Shaanxi Opera and so on. Drama critic Liao Ben called the most handy operas, opera is one, then Kunqu Opera. I read Bai Xianyong’s novel “Garden Dream” fall in love with Kun Opera, and later Youth Edition “Peony Pavilion” popular in the north and south, by coincidence, came in touch with the play of Luo Huai Zhen teacher.