论文部分内容阅读
贾平凹的《极花》延续了他90年代以来小说中传统与现代、城市与乡村对立冲突的创作主题和“密实的流年式的叙写”等特征。小说中作者人格对象化的叙事视角,对当代农村现状的全息纪录,对城乡文明的再反思以及“微观写实”和“宏观写意”相结合的叙事风格,都显示出贾平凹小说创作上的不断努力与自我创新。《极花》取材于真实的拐卖妇女事件,
Jia Pingwa’s “Extreme Flowers” has continued his creative themes of confrontation between tradition and modernity, urban and rural areas in the novels since the 1990’s, and his “dense, fleeting narrative”. The Narrative Style of the Object Personality of the Author in the Novel shows the holographic records of the present rural status, the reconsideration of the urban-rural civilization and the narrative style of “micro realistic ” and “macro ” On the continuous efforts and self-innovation. “Extreme flower” is based on real trafficking of women,