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在《错误的喜剧》中,伊丽莎白一世神圣的政治身体与敌对国家和殖民目标一起被巧妙地涂抹成女仆身体地图,从而降格为丑陋和淫秽的女性肉身,并逐渐演绎成一种代表国家好恶和具有人种学意义的性政治地图隐喻。这种独特的描述既显示出现代早期欧洲性政治的焦虑,也隐喻女性化土地的殖民探索和评估所带来的地理学愉悦,最终在荒诞身体的狂欢中颠覆了具有神秘主义政治哲学色彩的“女王二体”论。
In “Wrong Comedy,” the sacred political body of Elizabeth I, along with hostile nations and colonial targets, is subtly mailed to a body map of maids, degraded to ugly and obscene flesh, and gradually evolved into a representation of the state’s evil and possession Ethnological Political Map Metaphor of Ethnographic Significance. This unique description shows both the anxiety of the early European modern politics and the geography pleasure brought by the colonial exploration and appraisal of the feminized land. Eventually, subversion of the political philosophy with mysticism in the absurd body carnival “Queen duo ” theory.