尽管《达·芬奇密码》被西方教会列为反基督的异端,并遭到梵蒂冈抵制,但其跌宕起伏的叙事情节和环环相扣的故事发展给予了读者欲罢不能的阅读快感。本文从结构主义叙事学角度对此书进行分析,对这部热销小说进行理论角度的思考,借以说明经典叙事学仍然适用于当代小说的解读。 Although Da Vinci Code was listed as an anti-Christ heresy by Western churches and boycotted by the Vatican, its ups and downs of narrative and interlocking stories gave readers no choice but to read. This article analyzes the book from the perspective of structuralist narratology and ponders over the hot novel from the perspective of theory to illustrate that classical narratology is still suitable for the interpretation of contemporary novels.