“泥泥狗”是淮阳民间艺人观念意识的展现与流露,是他们内在情感的直接物化。它不仅真实地记录了史前人类生殖文化的种种轨迹,也是原始图腾文化的延续与拓展。它再现了华夏民族的民俗学文化内涵。非洲木雕诸多的表现形式是若干世纪以来,整个非洲生活和存在结构的体现,也是非洲民族基于宗教祭祀信仰而形成的共同观念的反映。 “Muddy dog” is Huaiyang folk artists show the concept of awareness and disclosure, is the direct materialization of their inner feelings. It not only records the track of prehistoric human reproductive culture, but also the extension and continuation of primitive totem culture. It reproduces the folklore cultural connotation of the Chinese nation. Much of the manifestation of African woodcarving is a manifestation of the structure of life and existence throughout Africa for centuries and is also a reflection of the common beliefs of African peoples based on religious sacrificial rites.