新课标之下的高中大语文观之我见

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所谓“大语文观”就是要以“人的发展”为语文教学的根本目的,着眼于提高学生的全面素质和持续发展的能力的语文教学观。近年来,“大语文观”颇受学者关注,但由于对其内涵的界定众说纷纭,而缺少比较权威的说法;并且在具体实行的方法上,也缺少现成的可行的经验。而且新语文课程标准的实行更加突出了大语文教学观的重要性和必要性。对此,笔者想就新课标背景之下的高中大语文观谈谈管见,以期抛砖引玉。 The so-called “big linguistic concept” is to use “human development ” as the fundamental purpose of Chinese language teaching, focusing on improving students’ overall quality and the ability to continue the development of language teaching. In recent years, the “big linguistic concept” has attracted considerable attention from scholars. However, due to the different definitions of its connotation, there is a lack of comparatively authoritative arguments; and in terms of specific implementation methods, there is also a lack of available and practical experience. Furthermore, the implementation of the new language curriculum standard has more and more emphasized the importance and necessity of the concept of large language teaching. In this regard, the author would like to talk about the high school and Chinese language views in the context of the new curriculum standard, with a view to throwing bricks and jade.
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诵读教学是高中语文中古典诗词教学的核心方法,古典诗词具有非常明显的音乐效果,这就给学生的有声表达提供了基础保障。节奏是表达情绪的最有力媒介,节奏本身就是情绪的有机组成部分(朱光潜语)。当诵读过程开始以后,情绪、呼吸等都会带动节奏的变化,使学生真切感觉到古典诗词所独有的艺术美感。而在进行教学时,必须按照音、意、情这样一个顺序,从感官到心灵逐步渗透,分层次教学。现以李白的名篇《将进酒》对此进行说明。