颜体书法端庄开阔、朴实自然,放大之后更有气势,因此特别适合于题写牌匾碑文,同时十分适合官场文书等日常的应用。所以,颜体出现后就有许多人学习,但在最初的文献当中记载的相对较少。也许因为在当时人们的心目中,颜真卿的忠臣的形象太伟大了,而他在书法方面的成就被这宏大的名声完全掩盖了。因此,我们发现《旧唐书》中有“尤工书”三字,在《新唐书》中才有“善正草书,笔力遒婉,世宝传之”的评价。 Yan style calligraphic dignified and open, simple and natural, magnified more momentum, it is particularly suitable for the inscribed plaque inscriptions, but also very suitable for daily use of official documents and other applications. So, after the appearance of the body there are many people to learn, but in the initial literature recorded relatively few. Perhaps because at that time, the true image of Yan Zhenqing’s loyal minister was too great, and his achievements in calligraphy were completely obscured by this grand fame. Therefore, we find that “Old Tang Book” contains the words “You Book” in the “New Tang Book”.