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副本、复制、模仿、仿冒、数字虚拟、克隆……这些是斯蒂文特在过去40多年中反复探讨并最终摒弃在创作之外的概念。她持续对哲学进行研究,尤其是福柯和德勒兹。她创作的核心并不是通过逼真写实的手段来复制这些作品,而是采用作品创作过程中所使用的工艺、技巧对它们进行重复制作,使作品尽可能和原作接近。
Copy, copy, imitation, counterfeiting, digital virtualization, cloning ... These are many of the concepts that Steventt has repeatedly explored over the past 40 years and eventually abandoned beyond creation. She continues to study philosophy, especially Foucault and Deleuze. The core of her writing is not to reproduce these works through vivid and realistic means. Instead, they use the techniques and techniques used in the creation of the works to make them repeatedly, making the works as close as possible to the original works.