在中国艺术体制建构的进程中,书法成为一种艺术与书协的成立都是晚近的事情,但这种形式划分与机构建立从初期就处在一种尴尬的境地。首先,书法作为中国思想文化的载体,又是历代不同文人阶层日常书写的媒介,这与其作为视觉形式的审美特质之间本身就存在一种潜在的张力,因此,在当代的学科分类中,有时很难对其加以界定,从而对书法家称谓的追认也就显得含混不清;其次,如果从社会背景和艺术作品的生产方 In the process of constructing the Chinese artistic system, it is a recent event that calligraphy becomes a kind of art and the establishment of a book club. However, this form division and institution establishment have been embarrassed from the beginning. First of all, calligraphy, as a carrier of Chinese ideology and culture, is also a medium of daily writing by different literati classes in different ages. There is a potential tension between itself and its aesthetic qualities as a visual form. Therefore, in contemporary disciplinary classification, sometimes It is difficult to define it, so the title of the calligrapher also appears obscure; Second, if from the social background and the production of art works