论文部分内容阅读
当代媒介文化以其显在的感性诉求特质成为推动当代文艺娱乐维度功能之变的重要力量,然而,实用理性所具有的趋“中”式牵制的文化惯性又使新感性势力的崛起呈现出一种矛盾纠葛的复杂境况,对此种境况的理论审视成为探讨当代文艺娱乐化之变的又一理论着眼点。
However, the cultural inertia of practical “rationalism” has caused the rise of new perceptual forces to appear in the contemporary media culture because of its explicit perceptual appealing qualities. Out of a complex situation of contradictions and disputes, the theoretical review of such a situation has become another study of contemporary literature and entertainment changes another theoretical focus.