自二十世纪八十年代『书法热』以来,人们似乎已经习惯通过展览的形式来认识、感知书法,同时也已习惯以『艺术的眼光』来创作和欣赏书法。这就是说,在某种程度上,『书法展览』、『书法艺术』已成为研究当代书法的关键词,有的创作者和研究者甚至提出如『展览体』、『艺术书法』这样的概念。但问题是,书法展览是否真的就是书法 Since the “calligraphic fever” in the 1980s, people seem to have become accustomed to recognizing and perceiving calligraphy through exhibitions, and have also become accustomed to creating and appreciating calligraphy with an “artistic vision.” That is to say, to a certain extent, “calligraphy exhibition” and “calligraphy art” have become the key words for studying contemporary calligraphy. Some creators and researchers even put forward such concepts as “exhibition body” and “art calligraphy” . But the question is whether calligraphy exhibitions really are calligraphy