近年来,对演员青黄不接现象谈论较多,而对评论工作的青黄不接却较为漠视。翻开一些戏剧期刊来看,作者往往是那么几位“名家”;文章翻过来调过去还是那么几个观点,几句套话、老话,很少有新的立意和创见。即使所说的话百分之百正确,至少也使人产生“至今已觉不新鲜之感”。我这样说丝毫没有对老一辈戏剧评论家轻蔑贬低之意,而是感到,我们对戏剧界新形势、新问题的研究探索不够,理论有些老化。戏剧理论评论队伍,应该说多少也存在着老化现象。从发展戏剧事业的需要看,这都是亟待解决的 In recent years, there has been a lot of talk about the phenomenon of the actors being indifferent, but the indifference to reviews has been ignored. Opened some drama periodicals, the author is often so a few “famous”; the article turned over in the past or a few views, a few cliches, the old saying, very few new ideas and ideas. Even if one hundred percent of the words are correct, they at least give rise to the “feeling of no longer fresh.” I did not mean to dismiss and disparage the older generation’s drama critics in the slightest manner. Instead, I feel that we have not sufficiently explored and studied the new situation and new problems in the theater industry, and some of the theories are aging. Drama theory comment team, it should be said that there is also the phenomenon of aging. From the needs of developing the cause of drama, this is an urgent solution