在元、清两朝皇家寺院白塔寺的具六神通殿内,展出有八幅清代勉萨画派唐卡。这八幅唐卡尺幅巨大、用料考究、内容丰富、笔法精细,在现有全部唐卡文物中也堪称精品,令来馆参观的各界人士驻足长观、赞不绝口。虽然这八幅唐卡上没有款识,但通过分析其艺术特征,并结合白塔寺在清代的宗教地位,我们可以将这八幅唐卡的艺术风格归属为北京宫廷风格。那么,这八幅唐卡展现了哪些北京宫廷风格的艺术特征?白塔寺在清代又居于 In the Yuan and Qing dynasties, there were six pieces of Thangka in the Six Sacred Heart Hall of the Pagoda Temple of the Royal Monastery. The eight Thangka huge format, materials used sophisticated, rich in content, fine brushwork, in all existing Thangka artifacts are also 堪称 boutique, so that visitors to visit the Museum from all walks of life to stop long, full of praise. Although there is no identification of these eight Thangka, we can categorize the eight Thangka art styles as the court style of Beijing by analyzing their artistic features and combining with the religious status of the Baita Temple in the Qing Dynasty. Well, these eight Thangka show which Beijing palace-style artistic features? Baita Temple also lived in the Qing Dynasty