《塔洛》是万玛才旦执导的第五部藏语剧情长片,影片可以看作是一部有关“身份”追寻的寓言。“身份”不仅仅是外在的情节道具,在层层推进的叙事过程中,“身份”的转化带动了人物社会位置的变动和生活理想的升浮沉降。在此,“身份”构成了《塔洛》的主要叙事策略,成为我们读解影片的关键符码。 “Tarot” is the fifth Tibetan drama feature film directed by Bandai and can be regarded as a parable about “identity” pursuit. “Identity ” is not only an external plot props, in the layers of the promotion of the narrative process, “identity ” transformation led to changes in the position of the characters and living ideal ups and downs. Here, “identity ” constitutes the main narrative strategy of “Tarot” and becomes the key symbol of our interpretation of the film.