“京丑”的美学反观——以美视丑的喜剧精神

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歌舞竞技、百戏杂耍,是戏曲多元的艺术营养,它们在漫长的戏曲孕育时期已十分丰厚。歌舞杂耍和嬉戏精神伴随着戏曲,尤其是民间戏曲的成长历程。李渔说,“戏文做与读书人与不读书人同看,又与不读书之妇人小儿同看”(1),所以它不仅需要在剧本上讲究“立主脑”、“减头绪”、“密 Song and dance athletics, Hundreds of juggling, opera is a variety of artistic nutrition, they are in the long period of drama has been very rich. Accompanied by song and dance juggling and playful spirit drama, especially the growth of folk drama history. Li Yu said, ”The essay is done with and without scholar, but also with the sons and daughters of a woman who does not read a book“ (1), so it not only needs to pay attention to the script, ”,"dense
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