中国版画的深刻巨变发生在二十世纪,以鲁迅倡导的新兴木刻运动为肇始,中国版画由传统形态向现代形态转变,由复制形态的版画向创作形态的版画转变。在从新兴木刻运动到延安美术的发展历程中,木刻青年一方面吸收西方版画的创作观念和方法,另一方面又深入地挖掘本民族版画的艺术资源,从传统绘画和民间美术中吸取养分,推动中国版画走向现代。并且,二十世纪中国版画的 The profound and profound changes in Chinese print took place in the 20th century. With the emerging woodcut advocated by Lu Xun as the starting point, the Chinese print changed from the traditional form to the modern one and from the copyrighted printmaking to the printmaking in the creative form. From the emerging woodcut movement to the development of Yan’an Fine Arts, young woodcutters absorb the creative ideas and methods of western printmaking on the one hand, and excavate the artistic resources of their own ethnic printmaking in depth from the traditional woodcut painting and folk art, Promote Chinese prints to modern times. And, the Chinese prints of the twentieth century