一1919年9月之前,后来被人誉为一代文豪的郭沫若,在文学实验方面是颇不成功的。他的第一篇小说《骷髅》及其他一些翻译稿件,都惨遭退稿命运。但是,在这一年的9月11日,他的两首新诗《抱和儿在博多湾海浴》《鹭鶿》刊出了。“看见自己的作品第一次成了铅字,真是有说不出的陶醉。这便给了我一个很大的刺激。在1919年的下半年和1920年的上半年,便得到了一个诗的创作爆发期”(《创造十年》)。 Before September 1919, Guo Moruo, later hailed as a generation of literary masters, was rather unsuccessful in literary experiments. His first novel “Skeleton” and some other translated manuscripts, have suffered tragedy fate. However, on September 11 of this year, two of his new poems, “Boheyou in the Sea of ​​Hakata Bay” and “Herons” appeared. “It was a great stimulus for me to see my work become a typeface for the first time, and it was indescribable. In the second half of 1919 and the first half of 1920, I got a poem The outbreak of creation ”(“ create ten years ”).