生长的艺术张荣东:一般看来,新材料只是个技法性的存在。但是,我认为新材料肯定不仅是一种绘画工具,而是一种开放的艺术观念,就像劳森伯格的艺术一样。劳森伯格在20世纪80年代初来到中国,可迄今为止,中国人依然没有理解劳森伯格艺术的意义。劳森伯格的艺术是把一种废弃之物置入一个艺术情境,拯救这个时代。因为这个时代迅速地让时光变成废墟,而他是让废墟储存、容纳。人类的时光是被消费、消耗,然后迅速地变为垃圾,而这个时代如果产生一种艺术,一定不是古代的小桥流水, The Art of Growth Zhang Rongdong: Generally speaking, the new material is only a technical existence. However, I do not think the new material is more than a painting tool, but an open concept of art, just like Rauschenberg’s art. Rauschenberg came to China in the early 1980s, but to date, the Chinese still have not understood the meaning of Rauschenberg’s art. Rauschenberg’s art is to put an abandoned object into an artistic situation to save this era. Because this era quickly let the time into ruins, and he is to allow the ruins to be stored. Human time is consumed, consumed, and then quickly turned into rubbish, and if this era produces a kind of art, it must not be the ancient bridges,