尽管人类学先驱者们对以电影作为民族志研究手段投入了极大热情,但在20世纪的大部分时间里,电影制作仍处于人类学研究的边缘。随着技术的发展与人类学理论范式的转变,电影制作更好地融入民族志研究成为了可能。本文致力于讨论利用电影手段生产民族志理解的切实可行之路。 Although pioneers of anthropology devoted tremendous enthusiasm to using film as a means of ethnographic research, filmmaking remained on the margins of anthropological research for most of the twentieth century. With the development of technology and the paradigm shift of anthropological theory, it becomes possible to integrate filmmaking into ethnographic research. This article is devoted to discussing practical ways of producing ethnography using cinematic means.