在中国古代,相当一部分建筑文化,尤其是士大夫阶层的建筑文化,被文学意向所控制。一篇《桃花源记》几乎代表了中国文人的理想环境观念,每个读书人都在梦中追寻自己心中的桃花源;而“竹林七贤”的典故更加具体,虽然对中国古建筑本体影响不大,却影响了后世文人的环境经营理念和园林设计方法。具体到每个文人设计自己的房屋,脑子里不是南山,就是竹篱,几乎都陷入了陶渊明“采菊东篱下,悠然见南山”的模式中。《兰亭集序》无疑能更好的说明文学对建筑的影响。自唐代以来,历朝都喜爱以此 In ancient China, a considerable part of architectural culture, especially the literati-class architectural culture, was controlled by literary intentions. An article entitled “Peach Blossom Spring” represents almost ideal ideals of the Chinese literati. Every scholar is pursuing his own dreams in the midst of his dreams. The story of “The Seven Sages of Bamboo Grove” is more concrete. Although it has no effect on the ancient Chinese architecture, Large, but has affected the later literati environmental management philosophy and landscape design methods. Specific to each literary design their own houses, my mind is not Nanshan, is a bamboo fence, almost all fell into the Tao Yuanming “Picking Ju Dong, leisurely see the Nanshan ” mode. “Orchid Pavilion set” will undoubtedly better illustrate the impact of literature on the building. Since the Tang Dynasty, dynasties have loved it