我读现在许多批评家的文字,强烈地感觉到了他们在知识谱系的陈旧气息,同时,也发现几乎整整一代人都缺乏思想。尤其是新兴起的批评家,几乎不读哲学,更无法获得一种哲学性的理解能力,这成了他们致命的局限。事实上,不仅批评界如此,小说界、诗歌界也是如此。好的小说家和诗人,都是有自己的世界观和艺术观的人。这种世界观、艺术观从何而来?只能从思想和哲学中来。缺乏思想,藐视哲学,作为个体的丰富性和复杂性就会大受损伤。 I read the writings of many critics nowadays and felt strongly in their outdated knowledge of pedigree of knowledge. At the same time, I found out that there was a lack of thought in almost an entire generation. In particular, the newly emerging critics, who hardly read philosophy and fail to gain a philosophical understanding, have become deadly limitations. In fact, not only the critical circles, but also the fiction circles and poetry circles. Good novelists and poets are all people who have their own view of the world and art. Where does this view of the world and art come from? Can only come from thoughts and philosophy. Lack of thought, contempt of philosophy, as the individual’s richness and complexity will be greatly damaged.