望月怀远是中国古典诗歌中最富生命力的传统主题之一。在汉末建安时期就产生了相当数量的月下怀远名篇,随着诗人们的不断创新,明月意象的内涵也渐趋丰富,并沾溉着后世的诗作。谢庄以前的诗人们不懈地探索托物寄情的表现方法,至谢庄《月赋》“隔千里兮共明月”之句一出,终为托月寄情的思维定势和表现方法做出突破性的贡献。尽管此句在当时受到嘲讽,但它对后世的望月怀远诗的创作产生了极为深远的影响。 Mochizuki Huaiyuan is one of the most traditional themes in China’s classical poetry. Jian’an period in Han Dynasty produced a considerable amount of Huaiyuan moonlight, with the constant innovation of the poets, the connotation of the image of the moon is also increasingly rich, and irrigation later generations of poetry. Xiezhuang’s former poets relentlessly explored the performance of props, to Xie Zhuang “Yue”, “a thousand miles away in a total of the moon,” the sentence one, and finally for the care of the moon set the pattern of thinking and performance methods to make a breakthrough Sexual contribution. Although the sentence was ridiculed at the time, it had a far-reaching impact on the creation of later generations of Huaiyuan Huaiyuan poetry.