师公戏是壮族戏曲的一种形式,也是该民族的非物质文化遗产。形成时间虽不算长,可溯至古代的巫舞,孕育于宗教文化之中。在漫长的发展过程中,屡经历史的洗礼,仍能传承至今,足见其有顽强的生命力。从中可以窥出民族文化的自我保护意识,是民族文化赖以传承的主要原因。民族音乐文化的传承与保护,在对外文化交流不断深入、音乐品种越来越丰富的今天,已显得尤为迫切。本文以壮族师公戏的形成与发展脉络为契机,从民族音乐学的视角,论述民族音乐文化的几种传承与保护方式。 Public drama is a form of Zhuang opera, but also the intangible cultural heritage of the nation. Although the formation of time is not long, can be traced back to the ancient witch dance, conceived in the religious culture. During the long process of development, the baptism of history, which has experienced many times in history, can still be inherited so far, which shows its tenacious vitality. From which you can peep out the sense of national protection of self-protection is the main reason why national culture inherited. The inheritance and protection of national music culture have become more and more urgent today when foreign cultural exchanges are deepening and music varieties are getting richer and richer. Taking the opportunity of the formation and development of Zhuang nationality public drama as an opportunity, this article discusses several ways of inheritance and protection of national musical culture from the perspective of ethnomusicology.