诗歌的发展,以晋陆机提出“诗缘情而绮靡”为标志,实现了由寓言诗学范式向感物言情诗学范式的转变。咏物诗作为一种自先民时期就已产生的诗歌形式,随着诗学范式的转变也呈现出前后不同的艺术风貌。学界往往关注到感物诗学范式下的咏物诗,而对寓言诗学范式下的咏物诗鲜有论及,这对了解咏物诗反展的全貌无疑是一个缺憾。本文将对汉魏时期寓言诗学范式下的咏物诗进行讨论研究,拟呈现这一时期咏物诗的基本特点和风貌。 The development of poetry, with Jin Lu Ji proposed “poetry and ornate love ” as a symbol, to achieve the paradigm shift from the allegorical poetics paradigm to the sensual romance poetics paradigm. Yongwu poetry, as a form of poetry that has been produced since the time of our ancestors, also shows different artistic styles with the change of poetics paradigm. The academic circles tend to pay attention to the chant poetry under the paradigm of sensory poetics, while they rarely talk about chant poetry under the paradigm of allegorical poetics. This is undoubtedly a regret for understanding the retrospect of chant poetry. This article will discuss the chant poetry under the paradigm of allegorical poetics in the Han and Wei Dynasties. It is hoped to present the charateristic poem characteristics and style in this period.