进入经济全球化历史进程中的各国舞蹈如何保护、发展,如何强化本国、本民族的舞蹈资源等一系列问题已成为各国舞蹈研究者普遍关心的现实问题。这个问题的提出,意味着一种焦虑,这种焦虑表现在中国舞蹈话语体系与全球化语境的差异与冲突。中国舞蹈要在文化冲突中对话,要在世界舞蹈对话中改变“边缘”地位保持本土话语的主导权,我以为,坚持中国经验的文化人 How to protect and develop the national dance in the course of economic globalization and how to strengthen the dance resources of its own country and its own ethnic groups have become a universal issue of concern to all dance researchers in various countries. The proposition of this question implies an anxiety which manifests itself in the differences and conflicts between the discourse system of Chinese dance and the context of globalization. Chinese choreography is going to engage in dialogue in cultural conflicts. It is necessary to change the “marginalized” position in the world’s dance dialogue and maintain the dominance of indigenous discourse. I think that cultural people who insist on Chinese experience