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在当今中国美术院校的山水画教学中,写生课是教学安排中的重要组成部分,广州美术学院一进传承着上世纪五六十年代以来的教学模式,并在此基础上开拓发展。“对景写生”是广州美术学院岭南山水画教学中极有代表性的特点之一,可以上溯到“两高一陈”(高剑父、高奇峰、陈树人)主张的“折衷主义”的艺术主张和审美理想,后来关山月、黎雄才在新中国的大历史背景下,进一步把“关注生活,表现生活”的理念贯彻列山水画教学中,开创了岭南山水画的新局面。对于“写生”的理解,上至魏晋、下至
In the landscape painting teaching of Chinese art schools today, the sketch lesson is an important part of the teaching arrangement. The Guangzhou Academy of Fine Arts has been carrying on the teaching mode since the 1950s and 1960s and developing on the basis of it. “Sketching Scenes” is one of the most representative features of the Lingnan landscape painting teaching at Guangzhou Academy of Fine Arts. It can be traced back to the “compromise” advocated by “Two High and One Chen” (Gao Jianfu, Gao Qifeng and Chen Shuren) Later, with the great historical background of New China, Guanshan Yue and Li Xiongcai further implemented the idea of “paying attention to life and expressing life” to the teaching of “landscape painting” and started a new development of Lingnan landscape painting situation. For “” sketching "understanding, from Wei Jin, down to