要找一个夹缝走 许宏泉:看到过你早期画的黄山,很有江苏画派的影响。后来是什么时候开始画水乡的? 刘懋善:我当时画黄山的原因主要是为了学习传统。通过山水画去体会传统的线条、结构以及各种的皴法。我过去搞油画、素描比较多一点,所以当时想借着画黄山、漓江、四川山水可以加强一点传统方面的学养。后来我觉得能画的人也很多的,画得也不错。但是我总觉得好像…… To find a folder to go Xu Hongquan: saw your early paintings of Huangshan, Jiangsu School very influential. Later, when did you start to draw water? Liu, Mao Shan: The reason I was painting Huangshan at that time was mainly to learn the tradition. Through landscape painting to understand the traditional lines, structures and various methods. I used to engage in oil painting and sketches for a little more, so at that time I wanted to enhance my knowledge of traditional areas by drawing Huangshan, Lijiang and Sichuan landscapes. Later, I think there are a lot of people who can draw, painting is not bad. But I always feel like ...