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本文从伎艺表演的角度出发,以《香囊怨》为例证,对何谓“花旦杂剧”进行了新的解读,以此揭示出在《香囊怨》的创作时期,“花旦杂剧”突破了故事题材的限制,朝脚色行当发展的戏曲史事实。
This article from the point of view of the performance of the trick, with “sachet complain” as an example, what is the “Hua Dan Zaju ” a new interpretation, in order to reveal the “sachet complain” creative period, “Hua Dan Zaju ”Break through the limitations of the story theme, toward the development of the role of the drama of the history of the fact.