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作为综合中国文化各个部分要素文化、经济、历史、思想、政治等等的衍生物,中国传统绘画都在给中国动漫电影深深的影响着,特别是在表现形式和美学观念这两个方面。但是我觉得在中国传统绘画观念的众多理念中,尤为突出的当属中国传统绘画中具有的象征和图式意义的“空白”的理念。这个理念对营造中国动漫电影中的寓意和故事中象征的哲理有深远的意义。在此,文章就中国动漫电影在三个方面,其一时间和空间意境的处理,其二动漫中空镜头的运用,其三中国特有的情感展现来探讨“空白”理念。
As a derivative of integrating the elements of culture, economy, history, thought, politics and so on in all parts of Chinese culture, traditional Chinese painting is deeply influencing Chinese animation films, especially in the aspects of manifestations and aesthetic concepts. However, I think that among the many ideas of the traditional Chinese painting concept, the notion of “blank ”, which is particularly symbolic and figurative in Chinese traditional painting, is particularly prominent. This concept has far-reaching significance in building the morality symbolized in Chinese anime films and stories. In this article, the article discusses the concept of “blank ” in the three aspects of Chinese anime films, the treatment of one time and space artistic conception, the application of the hollow animation of Chinese animations, and the three Chinese-specific emotions.