《舞蹈》杂志执行副主编张萍从学术担当、艺术担当与国家意志担当三个方面谈及《粉·墨》的价值与意义。所谓学术担当在于“中国古典舞”作为学科概念,一方面要形成完整的知识体系,另一方面要有优质的人才培养。作品在这两个方面都呈现出了“中国古典舞”的学科追求。所谓艺术担当在于《粉·墨》充分地呈现了中国古典美学传统中的诸多范畴,并且在中国古代舞蹈传承断代的现实前提下,发挥艺术想象力对中国古典舞蹈形态进行了创造性的接续与历史化的表达。所谓国家意志担当在于作为中国古典舞学科的创作实践,《粉·墨》力图呈现的是一种代表中国传统美学精神与当代中国形象 Zhang Ping, executive deputy editor of “Dance” Magazine, talks about the value and significance of “Pink Ink” from three aspects: academic function, artistic responsibility and national will. The so-called academic play lies in the “Chinese classical dance ” as a subject concept, on the one hand to form a complete knowledge system, on the other hand to have high-quality personnel training. In both aspects, the work presents the discipline pursuit of “Chinese classical dance”. The so-called artistic play lies in that Powder and Ink fully presents many categories in the Chinese classical aesthetics tradition. Under the realistic premise of ancient Chinese dance inheriting from generation to generation, exert artistic imagination to creatively connect with Chinese classical dance forms and history The expression of. The so-called state will play a part in the creative practice of the discipline of Chinese classical dance. What is meant by “Pink Ink” is to represent the spirit of Chinese traditional aesthetics and the image of contemporary China