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近年来,民族题材电影打破了以往的模式,在多方面取得了新的突破。电影《永生羊》作为我国第一部哈萨克语同期声彩色故事片,其在创作中取得的突破,有很大的代表性和借鉴意义。本文以电影《永生羊》为例,从主题选择、电影意境、制作团队三个角度,对民族题材电影的创作新思路进行分析。
In recent years, ethnic themes have broken the previous model and made new breakthroughs in many fields. The film “Immortalized Sheep”, as the first Kazakh-style audio-visual feature film in China, has great representativeness and reference meaning in its breakthrough. This article takes the movie “Immortalized Goat” as an example, and analyzes the creative thinking of national theme films from the perspectives of theme selection, movie mood and production team.