一、有意味的反差现象 1992年,北京共有十几个日本艺术展览几乎同时举行,成为中日艺术交流史上史无前例的盛事。其中有两个展览形成强烈反差,提出了对一种文化现象的思考。 这两个展览一个是《当今日本画:迈向传统与革新的统一》,一个是《日本艺术展》。从作品内容看,我们把前者简称“当代展”,把后者简称“传统展”。 A Meaningful Contrast Phenomenon In 1992, a total of more than a dozen Japanese art exhibitions were held in Beijing at almost the same time and became an unprecedented event in the history of art exchanges between China and Japan. Two of the exhibitions formed a strong contrast and proposed a reflection of a cultural phenomenon. One of the two exhibitions is “Contemporary Japanese Painting: Toward Reunification of Tradition and Innovation” and “Japanese Art Exhibition.” From the content of the works, we refer to the former as “contemporary exhibition” and the latter as “traditional exhibition”.