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“身韵”是中国古典舞学科体系中的一个重要组成部分。1978年北京舞蹈学校升格为大学后,业内人士反思过去只找到了传统舞蹈之形貌,并未找到贯穿数千年之久的中国古典舞蹈之神韵。鉴于此,20世纪80年代诞生的“中国古典舞身韵”是李正一教授和唐满城教授在多年的教学实践中深究细研、集思广益而逐步完善起来的一项重要科研成果,并屡次获得国家级教学成果奖励。本文以唐满城先生早年编创的身韵“八大组合”为主要观测点,举一反三地从教学规律出发寻找身韵的共性与个性及传统组合的深厚底蕴,并“取事立人”谨以此文纪念著名舞蹈教育家唐满城先生辞世十周年。
“Body charm ” is an important part of the Chinese classical dance disciplinary system. After the Beijing Dance School was upgraded to a university in 1978, the industry insiders only found the appearance of traditional dance in the past and did not find the charm of the Chinese classical dance that lasted for thousands of years. In view of this, the “Classical Chinese Dancers”, which was born in the 1980s, is an important scientific research achievement that Professor LI Zhengyi and Professor Tang Mancheng deeply studied in the teaching practice for many years and gradually improved through brainstorming. Level teaching achievement award. In this paper, Tang Man-cheng early childhood creation of body charm “eight combinations ” as the main observation point, starting from the teaching law in order to find the generality and personality of the body and the richness of the traditional combination, and This article commemorates the 10th anniversary of the death of famous dance educator Mr. Tang Mancheng.