中国传统戏曲灯光依靠灯烛照明,运用火彩、灯彩砌末制造效果,形成了“灯彩戏”传统。近代以来,戏曲舞台引入西方自来火、自来月、煤气灯、煤油灯、电石灯、电光等照明灯具,改善剧场照明条件、创新舞台灯光效果,促成了戏曲舞台照明的革新。民国年间,海派京剧借鉴和使用新的灯光设备和光色技巧,大造机关布景、电光特技和五色灯光,颠覆了传统戏台照明方式,大大促进了近代戏曲舞台灯光的“现代化”历程。 Traditional Chinese opera lighting relies on lamp lighting, the use of fire, light color brick manufacturing results, forming a “light and color play ” tradition. Since the modern times, the stage of the opera has introduced the lighting of the western fire, the moon, the gas lamp, the kerosene lamp, the tourmaline lamp, the electric light and other lighting fixtures to improve the theater lighting conditions and innovate the stage lighting effects, which has contributed to the innovation of opera stage lighting. During the period of the Republic of China, Shanghai School of Peking Opera drew lessons from the new light equipment and light color techniques, made the scenery of electromechanical stunts and colored lights, and overturned the traditional stage lighting methods, greatly promoting the “modernization” of the modern theater stage lighting.